Saturday, February 9, 2019

Love song of Hidimbi, the forest-dwelling wife of Bhima


Love song  of Hidimbi, the forest-dwelling wife of Bhima

I saw him by the Parijat tree
fragrant and wild eyed,
As he walked to and fro
by the sleeping shades of five.
Asked to lure the humans,
the delectable meat.
my cannibal brother,
relished with great appetite.
But one look at him
on the Asvin poornima night,
I was heady with love
in the bower of milky light.
Forgetting my sororal bonds,
the stranger I approached.
My gait coy, eyes downcast
this feeling hitherto, totally unknown.
Gazing at my swarthy face,
his dark eyes gleamed.
he eyed me head to toe
appreciatively, or so, it seemed.
True to my tribal blood,
I couldn’t hold myself back.
And, declared by unabashed love,
to the amusement of brothers now awake.
He blushed like a girl,
this mighty son of God
and went to stand by his mother,
who to her son’s rescue, came to the fore.
With a regal bearing, this fair woman
asked me my name.
To what lineage I belonged?
And, what was my claim to fame.
I was irritated by her scrutiny,
her gaze mocking my Non-Aryan blood.
I could see her cold condescending eyes
But his gentle smile warmed me up.
“ I am the princess of this vana,
Hidimbi my name.
Sister to the mighty king Hidimb,
whose bravery will put most men to shame.
We ride tigers, tame elephants
And hunt humans for meat.
But, will forgo my cannibalistic ways
O, mother! If your customs so insist.”
Before Kunti could open her mouth,
I saw Bheema quickly move.
He fought with my mighty sibling,
my loyalties torn asunder.
Betraying my flesh and blood,
I prayed for the man I had just met.
And, as my brother laid dying
A single tear was shed.
“Was this the brother thou boasted about
Who had sent thee?
Look, I have killed him with my bare hands.”
How Bheema taunted me.
But, Kunti intervened this time
The most unexpected ally,
She chided her beloved son
and hugged me tightly.
“O daughter, thanks for warning us,
Thou may return to thy tribe.
My son, here will escort thee back,
to thine home’s safety”.
I looked at him entreatingly
as he walked with me.
Silent now but with a tender gaze,
his face changed totally.
No more the fierceness of battle,
no more that sardonic gleam,
He clasped my hand in his large ones,
and confessed his love for me.
By the river, in the grotto
we bowed our heads in my family shrine.
Outside, in dawn’s honeyed light,
He vowed to be forever mine.
My modest hut with Asoka scarlet flowers,
gave us the conjugal bliss.
We heard the cooing of doves,
my fragrant body entwined with his.
My beloved told me of their travails,
about their Lakshagraha flight,
running from their scheming kin,
denied their legitimate right.
Kunti came searching for him
with her other mighty sons.
Arjuna with his Gandiva ready
to rescue his dada from the cannibals.
We welcomed them with folded hands,
my lord and I.
As the queen of this verdant forest,
gave asylum to the mother of five.
Thus, the kshatriyas settled with us,
with royal sophistications at bay.
But, atleast they were safe here,
my mother-in-law mulled each day.
A year of unadulterated joy was this,
the foresters loved their guests
and then little Ghatotkacha arrived
to everyone’s sheer delight.
He had big almond eyes,
on the full moon face.
The stoic grandma also beamed,
singing lullaby with great tenderness.
Wearing, the tribal feathers,
the ten month old  moon-faced baby
was fed with the first morsel,
as per the tradition of his dad’s family.
Why, then Bheema looked so sad
As he came to me that night,
His favourite Mahua untouched
he just held me tight.
The following day, they were to leave,
the mother and the brothers five.
And clearly the tribal mother-son duo
didn’t belong to Hastinapur’s high life.
I wasn’t the kshatriya queen
who would be so admired.
My dusky looks and curly mops
would jeopardize all that was desired.
The five were a unit,
like a closed fist.
And, like a self effacing wife,
I must not resist.
Wails of Ghatotkacha, my silent sobs
and the wetness of Bheema’s red eyes.
None could move the steely determination,
and minute by minute all hope dies.
And, then they left us,
on the cold amavasya night.
As my husband gave us one last glance
in the earthen lamp’s flickering light.
                                             - Neha Bansal










(Painting by: Neha Bansal and Dhruw Singh)



















49 comments:

  1. Replies
    1. I have overwhelming feelings of reverence and admiration for you after reading all your poems,you influenced me with awe,there are lots of people who are well versed with mythological characters but not all have ability to feel the characters, you touched the untouched intence subject matters with great interpretations and with so much of depth which no other can think of,Congratulations for being blessed with fine eyes,with empathy and highly developed artistic form of expressions

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  2. I love your choice of words.. This poem beautifullu brings out the deep rooted structural discrimination which leads to disenfranchisement of half of the population.

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    Replies
    1. Thanks a ton, deepak for ur infinite patience in reading my poems. True, many people have been structurally discriminated against over years.

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  3. Another skill fully chosen bouquet of words.... you never disappoint as a poetess ... for me it has a resonance of true love that blooms without the fear of separation. Not all are destined to stay together

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    1. Thank u so much, Namrata. This character has inspired me all along. Thank u for ur kind words. The issue of race and gender make her the victim of double discrimination.

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  4. You wrote so wonderfully Neha.....really amazed....

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  5. Love the lilting cadence and the narration....you do know how to give the people living on margins their rightful place...wtite on Draupadi, Sumitra, Yashodhara, Sita, Mandodri

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    1. Thank u "anonymous" for leaving such beautiful comment and suggestions. 😊

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  6. Neha , what an invincible poem ! Your writing is like a literary genre and deserve accolades. I am amazed how you portrayed the character of Hidimbi, it arose poignant emotions but also feeling of desolation. She really didn’t deserve this . This anecdote if we believe it to be true shows the paradigmatic society we live in . Women have always been victim of such feudal society. This work shows your love towards literature , writing and also your assiduous work.
    Just keep writing for us , FOOD FOR THE SOUL , it not just enrichen soul but my vocabulary too , as each time I have to open dictionary to see meaning of words you choose so cleverly and so aptly ❤️ Payal

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    1. Payal, thank u my dear friend for everything that u do for me. I m so touched by your kind words. You encourage me to keep writing. Thank u for ur most generous words. 😊

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  7. nice beta. publish your anthology. very proud of you.

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  8. Thank u, sir. Working on it.�� Very grateful to you for sparing your valuable time. Thank u.

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  9. To me this is a beautifully wrapped dagger or a garland covering an IED, if you may. While I do not deny the poignance of the description, in being true to the mythological essence it somehow supports the very misogyny that it purports to unravel. Trust you to understand honest criticism.

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    1. As far as hidimbi is concerned, the poem was just her voice. Its not a modern hidimbi...it's the very same hidimbi placed in her context n time... Its not the question of misogyny but the question of race really...n being a woman added to her woe... Her succumbing to love is what is shown here.. her independence after bhima's departure is not. The idea was just to give her voice keeping her in the same age and time....of ourse she is the victim of racism n patriarchy... But how much is she aware of it???

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  10. How long did it take you to pen this beautiful piece?

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    1. If you don't mind, Neha madam, how do you go about writing the poem as in do you fill the words with the central idea or to certain extent amend your ideas a bit inorder to suit the words :p

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    2. i'll behappy t know ur name, "unknown"...it's both i guess...but idea is more important...words are secondary...

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    3. This 'unknown' is actually a mutual friend of yours on FB. I may have interacted with you on the mutual friends profile some time back.

      I remember that you used to pen colourful writings and the mutual friend helped me locate your blog and here I am, madam :)

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    4. Thank u so much...it's an honour to be read by u. Warm regards.

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    5. It's our, or i'd atleast say my, honor to read your poems, ma'am. The genre is exciting, bit of feminism imbibed, word play comparable to a magic wand at play and the effects palpable.

      This is Senthil Jayapalan here ma'am and here's one of my pieces for your consumption and commentry, if you will :)


      https://m.facebook.com/story.php?story_fbid=1221293864547981&id=100000021383396

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    6. Thank u senthil. I read it. It was lovely...love the words you used..

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  11. Needless to say that I am enchanted with your wordings. Not that I am a fan of feminist plots but these writings are too good not to be enchanted and here I am visiting and revisiting the blog :)

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  12. This is excellent. Amazing. Reminded me of Tennyson somehow. "Ulysses". All your writing is suffused with a poignancy of the female experience. This poem epitomises everything poetic and melancholy about it

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    1. thank u so much for ur very encouraging words...being compared to Tennyson is a great compliment :)

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  13. Very beautiful words were choose,great writing.. invincible poem...

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  14. Neha Mam, This is masterpiece I must say, more I read your poems more i realize that there is some professional writer in you..

    every poem is way too different and deep rooter from the other...

    Much appreciated!!! Keep up this great work...

    Thanks & Regards
    Harish Sahni

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  15. Mahabharat
    रश्मिरथी by रामधारी सिंह दिनकर in 7sargas is greatest ever poetry over mahabharat basically वीर रस प्रधान,

    Hidimba, her affection to bheemsen for which she cheated her brother and the separation, u described it meticulously,

    Each segment dealt beautifully, touched thoroughly

    Mast

    Presenting mahabharat, love story of bheemsen-hidimba, aryaputra- rakshasi, two different poles, hving same feeling

    Presented perfectly

    Regards

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  16. I can't begin to express how I feel after reading this. This was the next best thing to being there. I observed like one of Hadimbi's villagers. It was too painful to let go of the happy life Bheem and Hadimbi had built together. Thank you for the experience Neha.

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  17. Thank u so much, ritika for your kind comments.

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